Variety article on Dune: Part Two Middle Eastern and North African influences

Commentary in Variety article on Middle Eastern and North African Influences in Dune: Part Two

Criticism

Sharareh Drury in ‘Dune 2’ Criticized for Lack of Middle Eastern and North African Inclusion and Influences: ‘A Missed Opportunity’ addresses the Dune: Part Two film’s treatment of Middle Eastern and North African elements and Islamic culture, casting, and the missed opportunity to adapt Herbert’s novel Dune in a way that involved and represented marginalized communities. I appreciated the opportunity to provide background and commentary about the Fremen and their depiction in the source material. Great quote from writer Khaldoun Khelil in this article: “The problem for the movies [and] the director’s vision and his perspective is that he did

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David Lynch holding infant son Austin during filming of Dune

David Lynch’s Infant Son and Other Personal Stressors in the Making of Dune the Film

Criticism

Director David Lynch’s infant son wasn’t mentioned in any of the dozens of sources for the chapter I wrote on his fateful Dune (1984) film. I only stumbled across this info in one of the last sources I looked at for a quick cross-check of a different fact. This source was Lynch’s autobiography, Room to Dream (2018), coauthored with Kristine McKenna and full of interviews with people in Lynch’s life (read more about it in Vice‘s article Women Are the Most Surprising Part of David Lynch’s New Memoir). It was here that I read about his then-spouse Mary Fisk giving birth

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Max Evry A Masterpiece in Disarray Lynch Dune book

Review of A Masterpiece in Disarray: David Lynch’s Dune. An Oral History by Max Evry

Criticism

It’s got scandals, hot takes, regrets, and reflections. It’s got serious musings alongside funny anecdotes. It’s all about the infamous Dune film adaptation by David Lynch, and whatever you think of the original film (or extended version, or fan edits…) you won’t want to miss this engaging story about this fateful production. In Max Evry’s new book, A Masterpiece in Disarray: David Lynch’s Dune. An Oral History, he provides a behind-the-scenes look at the 1984 film adaptation of Frank Herbert’s science fiction book, Dune (1965), with the benefit of nearly four decades of time for reflection. As an experienced film

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